File:Edouard Manet - Le Printemps - RW372.jpg

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摘要

愛德華·馬奈：Spring

作家



別名	愛德華·馬內; 爱德华·马内; 馬內; 愛杜爾·馬奈
描述	法國畫家、插畫家、石版印刷者、建築繪圖員、畫家以及視覺藝術家
出生/逝世日期	1832年1月23日	1883年4月30日
出生/逝世地點	原巴黎第十區	巴黎
作品年代	1859年 –1882年
創作地點	巴黎; 里約熱內盧; 佛羅倫斯; 威尼斯; 阿姆斯特丹; 哈倫; 扎爾特博默爾
權威檔案	: Q40599 VIAF: 97379936 ISNI: 000000012144651X ULAN: 500010363 Open Library: OL133563A DBNL: mane014 WorldCat

標題

法文：

Le Printemps (Jeanne Demarsy)

Le Printemps (Spring)

物體類型

畫作

藝術類型

肖像

描繪人物

Jeanne Demarsy

日期

1881年

表現方法

布面油畫

尺寸

高度：74釐米；寬度：51.5釐米

藏於

吉地中心

	原名	Getty Center
	父機構	基提信託
	地址	洛杉磯
	坐標	34° 04′ 39″ 北, 118° 28′ 30″ 西
	成立	1997年
	網站	http://www.getty.edu/museum/
	權威檔案	: Q29247 VIAF: 133364221 ISNI: 000000012287134X ULAN: 500260314 GND: 10081052-4 SUDOC: 050172751

登錄號

2014.62

物件歷史

Antonin Proust, Paris (acquired from the artist, 2 January 1883) per Christie's description and following.
Jean-Baptiste Faure, Paris (acquired from the above, by 1902).
Galerie Durand-Ruel et Cie., Paris (acquired from the above, 13 March 1907).
Durand-Ruel Galleries, New York (acquired from the above, 24 November 1909).
Colonel Oliver H. Payne, New York (acquired from the above, 1909).
By descent from the above.
Purchased by the J. Paul Getty Museum at a Christie's sale, New York, 5 November 2014: Price realized $65,125,000 _{includes Hammer Price and Buyer's Premium}

展覽史

Paris, L'Exposition des Beaux-Arts (Salon de 1882), no. 1754, salle VII per Christie's description and following.
Paris, Ecole des Beaux-Arts, Exposition posthume Manet, 1884, no. 105.
Paris, Exposition universelle internationale, Centennale de l'Art français, 1889, no. 495.
Paris, Galeries Durand-Ruel et Cie. and Berlin, Paul Cassirer, Exposition de 24 Tableaux et Aquarelles par Manet Formant la collection Faure, March 1906, p. 14, no. 23.
London, Fine Art Palace, Franco-British Exhibition: The British School of Painting, August 1908, no. 330.
Paris, Palais du Domaine de Bagatelle, Rétrospective de portraits de femmes, 1909, p. 32, no. 135 (illustrated, p. 31).
Paris, Musée des arts décoratifs, Cinquante ans de peinture française, 1875-1925, May-July 1925, no. 43 (illustrated).
New York, Carroll Carstairs, The 1870s in France, 1938, p. 9 (illustrated, p. 8).
New York, Wildenstein & Co., Inc., A Loan Exhibition of Fashion in Headdress, 1450-1943, April-May 1943, no. 93 (illustrated).
New York, Metropolitan Museum of Art, Paintings from Private Collections, 1960, no. 60; 1961, no. 46; 1962, no. 37; 1963, no. 33; 1966, no. 83.
New York, Wildenstein & Co., Inc., Art and the Decorator, April-May 1967 (illustrated).
New York, Metropolitan Museum of Art, New York Collects, July-September 1968, no. 91 (incorrectly dated 1841).
Washington, D.C., National Gallery of Art, July 1993-May 2014 (on extended loan).

題字

signed and dated 'manet 1881' (lower left)

備註

Le Printemps was the second in a projected series of portraits representing the four seasons. Previously Manet had painted Automne in the series, a portrait of the French actress Méry Laurent. Likewise Le Printemps was a portrait of the actress Jeanne de Marsy. Unfortunately Manet did not live to complete the series.

The painting was exhibited at the 1882 salon along with A Bar at the Folies-Bergère (in the latter painting the leftmost figure in white in the mirror reflection behind the barmaid is a cameo of Jeanne de Marsy). It was purchased by Colonel Oliver H. Payne in 1909 from the Durand-Ruel Galleries in New York and remained in the family estate up to its 5 November 2014 sale at Christie's, New York. As such it was the last surviving example of Manet's salon work to remain in private hands, though it was on extended loan to the National Gallery of Art, Washington, over the preceding two decades. It has the distinction of being the first painting to be reproduced in colour:

"The success of both paintings in the Salon of 1882 led to a wide-spread call for reproduced images of both Le Printemps and Au Bar [i.e. A Bar at the Folies-Bergère]. The latter, however, did not lend itself to reproduction without halftones, and Le Printemps became the Manet image in demand. Manet made an India ink drawing in 1882 after the painting (Rouart and Wildenstein, vol. II, no. 439), which became the basis for an etching with aquatint done soon afterwards ([Marcel] Guérin, no. 66), the artist’s final work in this medium. Charles Cros produced a trichromatic photograph of the painting, printed in reverse, which was used to illustrate the cover of Ernest Hoschedé’s Impressions de mon voyage au Salon de 1882 (op. cit., 1882)" per Christie's lot notes.

The painting realized $65,125,000 at a Christies's sale 5 November 2014, New York. This was a record auction price for a Manet painting.^[1] The purchaser was the J. Paul Getty Museum.^[2]

參考文獻

Christie's video.
D. Rouart and D. Wildenstein, Edouard Manet: Catalogue Raisonné, Paintings, Lausanne and Paris, 1975, vol. I, p. 276, no. 372 (illustrated, p. 277) and see also Christie's description (archived).

來源/攝影者

佳士得, LotFinder： entry 5840859 (sale 2888, lot 16, New York, 5 November 2014)

授權許可
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